Queenie Smith was born in New York City in 1898. She is described as 5 feet 1 inch with blue eyes and blonde hair and weighing 108 pounds. Her father was English and mother, German. She was educated at public schools, including the Horace Mann School, and matriculated at age 13 with the Ballet School of Metropolitan Opera. While a teenager, Queenie was solo danseuse of the Metropolitan Opera Company in "Aida", "Samson and Delilah", "Faust", and "La Traviata". She also appeared in musical comedies including "Helen of Troy, New York", "Sitting Pretty", "Tip Toes", "Hit the Deck", and "The Street Singer". She appeared in "Lilly Turner", "The Greeks Had a Word for It", "Little Women", "Three Cornered Moon", "Uncle Tom's Cabin" and "Every Thursday".
Queenie Watts (born Mary Spenton; 21 July 1923 - 25 January 1980) was an English actress of film and television, as well as an occasional singer. Watts was born Mary Spenton in London in 1923. She appeared in many British films, including the Joan Littlewood production Sparrers Can't Sing (1963), and as herself in Portrait of Queenie (1964), featuring in scenes set around Poplar, the Isle of Dogs and the Iron Bridge Tavern, Millwall, which she ran in real life and in which she starred in the TV series Stars and Garters (1963). In 1966 she appeared in the film version of Alfie, singing "Goodbye, Dolly Gray" in a memorable, riotous bar-room brawl sequence, and also appeared as a pub singer in the Tommy Steele film Half a Sixpence in 1967. A film called Portrait of Queenie was made in 1964, in which she sang jazz standards and some originals songs was released by the BFI. In the film she collaborated with a number of musicians including Stan Tracey and his band at the time. Her sole record singing the same songs was released in 1966 on the UK Columbia label. She also appeared in Ken Loach's Poor Cow (1967), in the film version of Up the Junction (1968), as a pub landlady in All Coppers Are... (1972), and as the ill-fated housekeeper in the horror film Schizo (1976). She also appeared in many British 1970s sex comedies including Keep It Up, Jack (1973), Intimate Games (1976), Come Play with Me (1977) and Confessions from the David Galaxy Affair (1979). She was often seen in television programmes through the 1960s and 1970s, including the successful, but critically panned, Romany Jones (1972-75) and its sequel Yus, My Dear (1976) in which Arthur Mullard featured as her husband. Watts also appeared with Mullard, playing Lily and Wally Briggs from Romany Jones, in the third On the Buses film spin-off Holiday on the Buses in 1973. She was also a mainstay of the comedy drama series Beryl's Lot, appearing as Beryl's neighbor Freda Mills from 1973-75. Watts appeared in Dad's Army in the role of Mrs Edna Peters, also in several episodes of Dixon of Dock Green in different roles, in two episodes of Callan (appearing as the aunt of petty crook Lonely, played by Russell Hunter), and one episode of Steptoe and Son (1972). She appeared in three episodes of the Play for Today anthology series for the BBC, including Waterloo Sunset transmitted on 23 January 1979. She ran pubs (including the Iron Bridge Tavern, East India Dock Road, London and the Rose and Crown, Pennyfields, Poplar) with her husband, "Slim Watts", where she also sang and played piano with an eight-piece band to pull in more customers.
Queenie Yu-Hsin Fang was born on December 7, 1984 in Taipei, Taiwan. She is an actress, known for Reborn from the Dust (2016), Far and Away (2017) and Luo ri (2015).
Queenie van de Zandt was born on September 30, 1970 in Canberra, ACT, Australia. She is an actor, writer, and comedian known for Very Small Business (2008), Girl Clock (2008), Let Loose Live (2005) and for her TV appearances as her comedy alter-ego Jan van de Stool. She has been in a relationship with Jonathon Minns since 2013. They have one daughter.
Queeny Kuffour is an actress, known for Christmas in Paris (2019), Love by Accident (2020) and Inheritance.
Queenzy Calma is an actress, known for The Haunted (2019) and Murder by Tsismis (2021).
Quei Tann is a force in the film and television industry. Her ability to seamlessly transform into a limitless range of different characters is the driving force behind her journey to stardom. She is currently filming a new Blumhouse horror film, directed by Tony winner John Logan, set to premiere on Peacock in 2022. Her most recent work includes reprising her recurring guest-star role as 'Genifer' for a second season in Volume 4 of Netflix's "Dear White People" and her major recurring guest-star role as 'Officer Darla Grills' on Tyler Perry's "Bruh" airing on BET+. Quei is also awaiting the release of the Bella Thorne executive produced short film "Jelly," where she stars as 'Edith,' opposite Harley Quinn Smith. From her first role in 2018's award-winning Blumhouse film "Cam," where Quei was cast for the first time in a non-queer role, to the present day, Tann has shown her versatility with the many different characters she has played. After "Cam," Quei went on to book a recurring guest star role on Netflix's hit series "Dear White People." Tann plays 'Genifer,' a bold trans woman on the Winchester campus in the satirical comedy, a representation that was powerful personally to Quei, as a Black, queer woman herself. This role truly allowed Quei to explore her art in a new way. Tann then went on to star as 'Ty' in the short film produced by Lena Waithe and AT&T "Postmarked," alongside Loretta Devine, before she was cast as a recurring guest star in ABC's "How to Get Away with Murder." Quei played law student 'Peyton Osburn' on the hit crime drama and held her own opposite Oscar winner Viola Davis. Born in Los Angeles, Quei had a difficult upbringing, including enduring abuse by her father, which forced her and her mother to relocate often. Performing became an outlet for Quei; and at the age of 10, she started acting in various community theater projects in Las Vegas. Knowing she was destined for something bigger, Quei moved back to the Los Angeles area as a teenager to see where her talent would take her. With little money and a lot of hope, Tann slept in her car for a brief time before living at a queer transitional youth center in Los Angeles. It was at the youth center that she met her mentor, "Queer Eye's" Karamo Brown, who has greatly impacted her life, including helping her to get a scholarship for youth in media from NBC Universal. Tann was then able to pursue her dreams and began training with former acting faculty member at the Yale School of Drama, Gregory Berger-Sobeck, and the Groundlings. In 2016, Quei got a break in the industry as she was cast in Cycle 23 of "America's Next Top Model." Tann signed on to the show to gain exposure, which led to her being signed to Slay Model Management. She went on to work as a caregiver for the elderly, a job that would allow her to have flexibility to audition as she was studying nursing in college. After auditioning and coming close to booking roles in top shows such as "Star" and "Pose," Tann felt defeated and almost quit the business. After an audition at Prospect Studios for a role on "General Hospital," Emmy-winning casting director Mark Teschner told Tann she needed to be auditioning more for series regular and lead roles. These compliments reinvigorated her spirit, led to her meeting her agent, Adam Park of Park Noack Agency, and subsequently more auditions and multiple guest star roles were booked. When not acting, Quei enjoys playing video games and learning Japanese. She also looks for ways to support her community and has volunteered her time at the queer youth housing center where she once lived. Not allowing her own experiences with abuse and homelessness to define her, Tann wants to give back and help other survivors of abuse as well as the homeless.
Quelemia Sparrow is known for Fringe (2008), Sanctuary (2008) and Motherland: Fort Salem (2020).
Quelin Sepulveda is an actress, known for The Other End (2021) and Late Nights at the Movies (2018).
Quen Wang is an actress, known for Xin nan quan bei tui (1981), Feng ling zhong di dao xing (1983) and Jie shi huang hou (1981).